The Aether Eater is a sort of conventional journey. It has a beginning, an end, and an epochal disposition. It takes a Camus-type anti-hero and hurtles him into space to watch him mock and finally humble himself before it (but of course, in the most discrete way possible). Classical speaking does become a bit awkward amongst "Art Bell/sci-fi" fiction, though, and more often than not we choose to not speak at all. Instead, we let the soundscapes do all the pondering for us. Odawas are nicking all over the place: from Randy Newman's plain-spoken grandeur or Beach Boy story-telling or Angelo Badalamanti's cheesy romanticism or Charles Ives' avant-garde ear or Art Garfunkel's "presence-of-a-blue-whale" harmonies. But at last, we believe in such things ... read more