"Recuerdos de Uruguay" is an avant-folk record sitting somewhere between 'popular' and 'experimental'. Fabrizio Rossi's songs feel as if tapes were unearthed from the country side's moist soil. Uruguayan roots music pierced by dreamlike atmospheres, as sound memories tarnished by emotion and time. Recuerdos de Uruguay, by Fabrizio Rossi, is defined as "a set of disordered memories", and whose forceful name may lead one to think that listening to it will be a padded transit through recognizable landscapes. However, this saga of songs and poems is an excursion into the mist, a journey through familiar territories that are not seen at first glance. The musician born in 1986 has been on the scene that we usually simplify with the indie label for more than 15 years, participating in different projects as an artist and producer. In 2016 he published "Música para viajes interdepartamentales. Volumen 1", the first of a series of albums "inspired by the idea of traveling through the interior of Uruguay looking out the window" and recorded from an old magnetic tape recorder, with the silence of the early morning as an ally and in shots live, in search of the spontaneous, as in the old folkloric records of a Uruguay that is already a memory.